The buried are never truly forgotten

By: Elona Scheeres

From the outside the old hospital seems normal enough. The French stylenineteenth century exterior is covered in ivy, lacing around its many pillars. Its ornatedetails are crumbled, its former beauty has been stripped away. The building stands asa shell of the place it once was. As you approach the structure, the thick stench ofsomething rotting overwhelms you, clouding your senses. You start to run towards thelarge doors, hoping the scent doesn’t follow you inside. As you pull the heavy doorsopen you are greeted by a sight far worse than the smell you were escaping.The cruelty of time has left the inside of the hospital far worse than the outside.Wallpaper is peeling from the walls it used to cling to, revealing the rotting woodenstructure it once hid. Wheelchairs and papers are strewn across the lobby, shredded asif a pack of angry beasts had infiltrated the building. Scratch marks on the wallpaperthat remains seem to back this theory up. A damp smell fills your nostrils, almost like theend of a thunderstorm, except the rotten smell returns, intertwining with the dampness.Almost as strong as the smells, an inescapable sense of loss and grief fill yoursoul. You feel as if some great calamity has happened here. You’re pulled out of yourhead as you hear someone shriek from down the hall leading towards the patient rooms
and your flight or fight instinct kicks in. You waste no time in escaping and start to run
back from whence you came. As you run you hear more shrieks following you, thoughyou don’t have the courage to turn back to face your pursuer. When you burst throughthe front doors you initially came through, the rotten smell hits you like a brick wall andsuddenly your view of the path in front of you fades. Everything around you goes black.You sit up in bed, startled. You grapple with what you just experienced. Was thata dream or perhaps a memory? Maybe a mix of both? Whatever it is, you don’t wasteany time thinking about it. You guide yourself through the pitch darkness and to thehallway autonomously, as if you’re still in a dream.
You aimlessly wander through the rotting halls. As you pass each room you hearthe screams and pleas of the fallen, those who had been labeled insane. This buildingheld dozens of lost souls that were trapped here, not by their own will. Their voices andwhispers clung to your memory like a moth to a flame. Being trapped in this hellishdimension for over a century has done nothing but drive the last ounce of mortality fromyour soul, making you as desperate for freedom as those disembodied souls. Thoseyou called your family were nothing but screaming voices in the depths of thepsychiatric ward, long forgotten by the outside world.
You wander into the hospital’s lobby and the memories of two hundred yearscome rushing back. This room was different from the others. Its energy flows like anenergetic and joyous river, crashing over deteriorating wheelchairs and stretchers andweaving its way through the room, however you can’t help but feel a dark and sorrowfulenergy that clings itself to the room.
You look towards the scratches on the walls and at the receptionist desk and feel
the pain of a century come rushing back. You could see your blood on the floor mixedwith papers. The very papers your mortal body had been holding one hundred andseven years ago.To your surprise, the front doors slowly open. They creak with the same kind ofheaviness the souls in the hospital bear. The door’s hinges wore old with age, and guilt.You aren’t afraid, rather, you’re instead curious why a mortal would come to such ahaunted place. As the door finally opens, you see the face of a young woman. Her faceis pale and young. She glows with the unfamiliar essence of life. She steps into theroom with wide eyes, seemingly surprised at the room’s deteriorating status. You wait inthe corner, hoping she doesn’t notice you. The woman pulls out a mechanical objectwith a bright light on the end. As she shines it around the room she stops at the tatteredand bloody wall. She kneels over the remains of your last moments. As you watch, allthe memories of long ago come rushing back, seemingly drowning you in them.You see a flash and suddenly the torn up wall and the woman disappeared, butwhat replaced it was even worse. Two patients were holding you against the wall whileanother stabbed your side. They yelled and screamed as you watched, unable to stopyour own fate. Once the patients felt the job was complete, they dropped your mangledbody and then slashed the wall as a warning to anyone else who may cross their path.You watch as they walk away contently while the color fades from your face. You clutcha letter from your fiancé to your chest, praying he was safe. As you drew your lastbreath, your arm went limp and the letter gently dropped into the pile of papers.
Another light flashed and you were thrown out of your memories and into the

present. The woman is still digging around in the pile of papers when she picks up yourletter. In a moment of brashness, you lunge forward towards her and shriek. The womandrops the paper, turns around, and meets you with a similar scream. She uses herdevice to send a blinding flash of light directly into your eyes, which only earns heranother scream. You sit on your knees several feet away from her with tears in youreyes.“What do you want from me?” the woman yells out, then waits for an answer.Through the tears you managed to choke out a few words.“I want to know if my son, Jeremy, survived.” you say quietly.The woman’s face turns a shade whiter than I thought was possible. Then to yoursurprise, her face softens.“That’s what’s holding you here in this horrid place? The guilt and feeling of notknowing your loved one’s fate?” she asks.I slowly nodded, not entirely sure I am following.“What is your name?” she asks.

You have to think to yourself. What is your name? It has been so long sinceyou’ve heard it spoken, but you know it. You purse your lips together to try to rememberthe motions of how to say it.“J-jane. Jane Locket.” you say.You smile to yourself. You are proud you haven’t forgotten the name that thosetrapped in this building had long erased from what was left of their memory.“So, Jane.” The woman stops hesitantly. “How did you die?”You draw in a breath, then look up at the torn wall that is across from us.“I was the receptionist at this psychiatric ward. One day a group of criminalsbroke in and ran through the hospital’s halls breaking and throwing things as they went.When they reached the lobby they-”You are cut short by a sharp pain in your side followed by a burning sensation.You’d think a hundred years without a mortal body would take away your wounds, butthis was not the case.“I see. And, Jeremy?” The woman was clearly unphased by your winces of pain.
You hesitate then take a deep breath. “He was, is my son. He was only seven
when I passed. His father had been dead nearly five years at that point. Without anyfamily, I always feared what became of him-” your voice cuts off as you start to sob.The pain in your side only grows stronger as you speak.“So you’re uneasy and in turn unable to reach the afterlife because you neverknew what happened to your beloved?” the woman asks.Still clutching your side, you nod.“Would it help if I tried to help you find what became of him?” the woman asks.“Y-you can do that?” you ask.The stranger smiles. “Yes, I believe I can.”For the first time in over a century, you feel your cheeks lift and the warmth of asmile fills your face. You have hope you may finally be able to escape the screams andfaceless whispers for good.The woman pulls a notebook, pen, and a strange glowing device out ofseemingly nowhere and starts to jot something down.
“I want to ask you a few questions to better understand you and your son.” she
says.You nod in agreement. “What year was your son born and what is his full name?”she asks.“1909, Jeremy Benett Locket.” you respond.The woman nods, then starts furiously tapping seemingly at random on thestrange glowing device. After a few minutes she looks up at you with wide eyes. Youcan’t tell if she is terrified or in awe. The woman motions you to her side and holds upthe glowing device close to your face. At first you are startled by the bright light, but asyour eyes adjust, you can make out a familiar face. It was your son, though heappeared older, he still had the same shining blue eyes. The woman must have noticedyour look of amazement.“Is this him?” she asks.You nod. This is the first time you have seen your son since your life was takenfrom you.“W-what did he become? Was he happy?” you ask.
The woman silently holds up the glowing device again and shows you a picture
of a young man with two young girls, perhaps his daughters, sitting beside him. Thecaption below reads “Jeremy Locket, 1941”“It seems like he did just fine, and actually, in fact-” The woman began swiping onthe device till she seemed satisfied and shows you the device once again.“See this family tree? There’s Jeremy at the top, then there is his daughterMargaret who was born in 1937, her son Charles who was born in 1960, his son Jasonborn in 1985, and me, born in 2005 almost a 100 hundred years after Jeremy.” shesays, smiling through tears.

You start to cry, overwhelmed by emotions. Your son was safe, he had lived agood life surrounded by family, the one thing taken from him early in his life, his long,wonderful life. The woman smiles and looks at you with a newfound fascination. Rightbefore she was about to speak, you hear a distant chorus. Happy laughter and cheeringswarmed around you, lifting you off your feet. A pillar of light shines down on you andyou are bathed in a warm, tingling sensation. You look down at the hospital one lasttime as you ascend out of the building and towards the heavens and instead of beingfilled with the normal sense of grief that has filled your soul for so long, a sense of hopeoverwhelms you. You smile, because you know you are finally going to see your son.

Artist’s statement
Throughout the many drafts this story has gone through, it has always had theinitial heart it’s very first draft started with. I originally started with two perspectives indraft #1, however I had to combine them somehow. I wanted to weave the same detailsand the storylines from draft #1 into the other drafts, so after a lot of tweaking and latenights, I managed to combine both perspectives to create draft #2.However one of the things that did change between drafts was the reason ourghost was trapped in the hospital. Originally the ghost was trapped due to her worryingwhat happened to her fiancé, however I realized that didn’t make a whole lot of sense inthis particular situation, so I changed the reason she was trapped to her worrying abouther young son and what he became. This in turn led to a much more satisfying endingas we discover both characters in our story are related and it made the ending all themore emotional.

Another change I made between drafts was a suggestion made by Isla, one ofmy peer reviewers. She recommended that I change the reason surrounding the ghost’sdeath. Originally the ghost was going to have been murdered by patients in the psychward, but I later changed the circumstance around her death to murderous robbers forone very specific reason. It played into the harmful stereotype that those put inpsychiatric hospitals were dangerous or insane, which was usually far from the truth. Iappreciate Isla’s honestly, otherwise I may not have picked up on that.Overall this story took nearly two months from start to finish, though I would say itwas worth it. This is my favorite piece of writing I have ever written and I hope to publishit and/or submit it to writing competitions.